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STENOPE

Thomas Just
Born in 1960
From his early years on passionate artist. His charcoal drawings and Indian ink paintings helped establishing in the art scene. However over the years his passion for photography led him to extend his time exclusively to pinhole photography.
He is also involved in developing and designing pinhole cameras.
Pont - Marie Rialto morgens um 7 Uhr

Paris: Place de la Concorde
In bold defiance of one of photography’s most basic rules, Thomas aimed the camera directly towards the sun. Rarely has a pinhole image exposed directly to unfiltered sunlight rendered such precision. The reproduction of light and shadow remain true. All details, including automobiles stopped at a signal light, remain clearly discernable.
A halo of light is created by the diffusion of photons as they pierce the extremely fine pinhole membrane.
The lanterns seem to be light, which was not the case at that hour – it is the sun’s light that is being reflected by the glass.

Printed on Hahnemuehle FineArt Barytta 325
with K3 Ultrachrome pigment-ink.

$1,250.00                                                       #9/25

Rialto Venice Bridge
Early morning before 7 o’clock ...
Extended exposure times are an intrinsic part of pinhole photography. The pinhole diameter measures 0.2mm, or 0.08mm in diameter, about 100x smaller than the aperture of conventional cameras. Since less light passes through the tiny opening, exposure times need to be significantly longer.
In this case, 90 seconds were required to produce this image. The gentle movements of the boats were also captured, naturally enhacing the soft and delicate effects of early morning light. Yet, the colors are rendered with surprising vividness.

Printed on Hahnemuehle FineArt Barytta
325
with K3 Ultrachrome pigment-ink.


$1,250.00                                                        #11/25

 
Siena Campo im Regen  

Siena Campo umbrella
By definition, an “instant pinhole” photograph is a contradiction in terms. However, this particular work achieves an artful reconciliation. Frustrated by the onset of rain, Thomas had already packed his gear and was about to leave the campo, as a busload of tourists disembarked. Patiently, in near motionlessness, the group listened to their guide. Inspired by the colorful display of umbrellas, the artist quickly unpacked his gear and mounted his camera on the tripod. Knowing that the overcast conditions would necessitate a four-minute exposure, he nonetheless took advantage of the opportunity.
He prayerfully watched the crowd. Any significant movement would have left amorphous streaks instead of dreamlike silhouettes.

Printed on Hahnemuehle FineArt Barytta 325
with K3 Ultrachrome pigment-ink.

$1,250.00                                                      #12/25

 
 

 

 

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